by JOHN WHEATCROFT
Play for Today; Writer: John Mortimer; Producer: Irene Shubik; Director: John Gorrie
“There is a golden thread running through British justice…”1
Horace Rumpole is one of those great fictional characters who emerged fully formed, with the potential to run and run. Like Sherlock Holmes, William Brown and Bertie Wooster, he burst on the scene with virtually all his key character traits established. The barrister whom we meet in the first Rumpole of the Bailey is fundamentally the same man readers and viewers were to follow through numerous television series and radio plays, many volumes of short stores, and a handful of novels. You can even read Rumpole in posh Folio Society editions.
Within a few minutes of the original Play for Today, first broadcast on 16 December 1975, we were introduced to some trademark Rumpole quirks and foibles. He quotes at length his favourite poet, Wordsworth, from Quiller-Couch’s Book of English Verse, refers to his wife, Hilda (Joyce Heron), as “She Who Must Be Obeyed” and wistfully recalls, as he will do so often in the years to come, his triumph as a young barrister in the Penge Bungalow Murders case.
Rumpole, unlike John Mortimer who was a QC, never took silk. He never prosecutes and often takes on (and wins) apparently lost causes, when everything is against him from overwhelming evidence favouring the prosecution to quixotic judges who take a dim view of the barrister’s irreverent and down-at-heel charm.
Horace Rumpole. ↩