<h4>Contributors to date (14):</h4>
<p>Matthew Bailey [1]<br>Frank Collins [1]<br>Simon Coward [1]<br>Ian Greaves [3]<br>Cat McKiernan [1]<br>Tom May [3]<br><a href="http://www.britishtelevisiondrama.org.uk/?page_id=4789">David Rolinson</a> [34]<br>Nigel Sarrassa-Dyer [1]<br>Neil Sinyard [2]<br>Emma Sutton [2]<br>Oliver Wake [29]<br>John Wheatcroft [8]<br>John Williams [2]<br>&#8216;Mr Wolf&#8217; [1]<br>James Zborowski [1]</p>
<h3>TV-related pieces by our contributors for other websites</h3>
<p><a href="http://www.nottingham.ac.uk/scope/documents/2014/february/fradley.pdf" target="_self" rel="noopener noreferrer"> &#8216; &#8220;Disappointingly thin and flaccid&#8221;: Gender, Authorship and Authenticity in Shane Meadows&#8217; <em>Once Upon a Time in the Midlands</em> (2002) (Emma Sutton, co-authored with Martin Fradley) </a>, <em>Scope: An Online Journal of Film Studies</em>, issue 26, February 2014.<br><a href="http://www.scope.nottingham.ac.uk/confreport.php?issue=18&amp;id=1238" target="_self" rel="noopener noreferrer">Conference review: Straight Outta Uttoxeter: Studying Shane Meadows, University of East Anglia conference (Emma Sutton)</a><br><em>List does not include pieces subsequently revised for this website. See also our content lists for the many pieces that several of our contributors have written for the Screenonline website</em></p>
<h4>Books by our contributors</h4>
<p><img loading="lazy" decoding="async" src="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Invective-cover-199x300.jpg" alt="" width="199" height="300" class="alignleft size-medium wp-image-7523" srcset="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Invective-cover-199x300.jpg 199w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Invective-cover-72x108.jpg 72w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Invective-cover.jpg 575w" sizes="auto, (max-width: 199px) 100vw, 199px" />Ian Greaves, David Rolinson and John Williams edited a collection of Dennis Potter&#8217;s non-fiction writing. <a href="https://www.oberonbooks.com/dennis-potter.html" target="_self" rel="noopener noreferrer">Dennis Potter, <em>The Art of Invective: Selected Non-Fiction 1953-1994</em></a> published by <a href="https://www.oberonbooks.com/Oberon Books" target="_self" rel="noopener noreferrer">Oberon Books</a> in 2015. &#8220;Every page of this book is constellated with sentences and phrases of, variously, humour, cleverness, warmth, indignation and savagery. It is one of the very finest collections of ‘occasional’ (but far from ephemeral) writing I have read: what counts is not the medium, not the genre, but the mind. The scholarship of the editors is impeccable.&#8221; Jonathan Meades, <em>Literary Review</em>.</p>
<p><img loading="lazy" decoding="async" src="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Miller-One-Thing-205x300.jpg" alt="" width="205" height="300" class="alignright size-medium wp-image-7531" srcset="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Miller-One-Thing-205x300.jpg 205w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Miller-One-Thing-74x108.jpg 74w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Miller-One-Thing.jpg 554w" sizes="auto, (max-width: 205px) 100vw, 205px" />Ian Greaves edited <em>One Thing and Another: Selected Writings 1954-2016</em>, a collection of work by Jonathan Miller, published by <a href="https://www.oberonbooks.com/one-thing-and-another.html" target="_self" rel="noopener noreferrer">Oberon Books</a> in 2017. In collaboration with Justin Lewis, Ian Greaves published <em>Prime Minister, You Wanted To See Me? A History of Week Ending</em> with Kaleidoscope. <a href="http://www.kaleidoscopepublishing.co.uk/books-we.html" target="_self" rel="noopener noreferrer">More information here from the Kaleidoscope site</a>. Ian has also contributed research to numerous books by other authors, and co-curated an NF Simpson tribute at the Royal Court in May 2012. Ian also contributed a chapter to the book <em>No Known Cure: The Comedy of Chris Morris</em> (BFI/Palgrave, 2013).</p>
<p></p>
<p><img loading="lazy" decoding="async" src="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Stevens-210x300.jpg" alt="" width="210" height="300" class="alignleft size-medium wp-image-7529" srcset="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Stevens-210x300.jpg 210w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Stevens-76x108.jpg 76w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Stevens.jpg 350w" sizes="auto, (max-width: 210px) 100vw, 210px" />Neil Sinyard is the author of 25 books on film, including studies of directors such as William Wyler, Fred Zinnemann, Billy Wilder, Alfred Hitchcock and Steven Spielberg. His latest book, on the film director George Stevens, was published in 2019. Some of Neil Sinyard&#8217;s writing on film and other topics can be found on <a href="http://neilsinyard.britishtelevisiondrama.org.uk/" target="_self" rel="noopener noreferrer">this website, a sister site of ours</a>.</p>
<p></p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-3524" src="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2013/02/cull-valley-cover-e1361534037656.jpg" alt="cull-valley-cover" width="175" height="247"><br>In 2016, Stairwell Books published John Wheatcroft&#8217;s novel <em>Here in the Cull Valley</em>, a genre-defying “why-dunnit” novel which proves that a unique literary format can sit side-by-side with a gripping story. The novel unfolds largely through newspaper stories but it plays by the rules of character and narrative. It’s a story told, according to one newspaper reviewer, “with powerful humour, invention, perception and poignancy”. <span style="font-style: inherit; font-weight: inherit;">Andrew Martin, author of the Jim Stringer murder mysteries, described <em>Here in the Cull Valley</em> as “a completely plausible psychological mystery. It is doom-laden, but laced with humour as elegantly dry as a good Chablis”. (It was previously available as an ebook.) <em>Here in the Cull Valley</em> is available from Stairwell Books <a href="http://www.stairwellbooks.co.uk/product/here-in-the-cull-valley/" target="_self" rel="noopener noreferrer">here</a>. <p><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-7520" src="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic-194x300.jpg" alt="" width="194" height="300" srcset="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic-194x300.jpg 194w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic-768x1188.jpg 768w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic-662x1024.jpg 662w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic-863x1335.jpg 863w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic-70x108.jpg 70w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/Rocket-pic.jpg 1694w" sizes="auto, (max-width: 194px) 100vw, 194px" />In 2019, Stairwell Books published&nbsp;<em>Rocket Boy</em>, John Wheatcroft’s second novel. It’s a tragi-comic love story, with an ultimately upbeat ending, about a man rueing missed romantic opportunities. <em>Rocket Boy</em> is available <a href="http://www.stairwellbooks.co.uk/product/rocket-boy/" target="_self" rel="noopener noreferrer">here</a>.</p>
<p></p>
<p><img loading="lazy" decoding="async" src="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Pandorica-e1571737624344-209x300.jpg" alt="" width="209" height="300" class="alignright size-medium wp-image-7527" srcset="http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Pandorica-e1571737624344-209x300.jpg 209w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Pandorica-e1571737624344-75x108.jpg 75w, http://www.britishtelevisiondrama.org.uk/wp-content/uploads/2019/10/BTVD_Pandorica-e1571737624344.jpg 335w" sizes="auto, (max-width: 209px) 100vw, 209px" /><br>In 2010, Frank Collins published <em>The Pandorica Opens</em> (Classic TV Press), an accessible yet scholarly analysis of the 2010 season of <em>Doctor Who</em> which has received excellent reviews. It is also now available for the Kindle.<br><a href="http://www.classictvpress.co.uk/pandoricaopens.htm" target="_self" rel="noopener noreferrer">More information here from the Classic TV Press site</a>. Frank Collins has also written a book-length study of the <em>Doctor Who</em> story &#8216;Warriors&#8217; Gate&#8217;, which was published by Obverse in 2019 and is available <a href="https://obversebooks.co.uk/product/31-wg/" target="_self" rel="noopener noreferrer">here</a>.

</p>
<p><!-- Start of StatCounter Code --><br><script type="text/javascript">// <![CDATA[
var sc_project=5750652;
var sc_invisible=1;
var sc_partition=68;
var sc_click_stat=1;
var sc_security="6dd1aa39";
// ]]&gt;</script></p>
<p><script src="http://www.statcounter.com/counter/counter.js" type="text/javascript"></script><noscript><br>
</noscript></p>
<div class="statcounter"><a title="wordpress stats " href="http://www.statcounter.com/wordpress.org/" target="_blank" rel="noopener noreferrer"><img decoding="async" class="statcounter" src="http://c.statcounter.com/5750652/0/6dd1aa39/1/" alt="wordpress stats "></a></div>
<p><!-- End of StatCounter Code --></p>


<p></p>
{"id":1948,"date":"2011-09-09T19:35:28","date_gmt":"2011-09-09T18:35:28","guid":{"rendered":"http:\/\/www.britishtelevisiondrama.org.uk\/?page_id=1948"},"modified":"2023-10-25T07:08:54","modified_gmt":"2023-10-25T06:08:54","slug":"list-of-our-contributors-works","status":"publish","type":"page","link":"http:\/\/www.britishtelevisiondrama.org.uk\/?page_id=1948","title":{"rendered":"List of our contributors and works"},"content":{"rendered":"<h4>Contributors to date (14):<\/h4>\r\n<p>Matthew Bailey [1]<br>Frank Collins [1]<br>Simon Coward [1]<br>Ian Greaves [3]<br>Cat McKiernan [1]<br>Tom May [3]<br><a href=\"http:\/\/www.britishtelevisiondrama.org.uk\/?page_id=4789\">David Rolinson<\/a> [34]<br>Nigel Sarrassa-Dyer [1]<br>Neil Sinyard [2]<br>Emma Sutton [2]<br>Oliver Wake [29]<br>John Wheatcroft [8]<br>John Williams [2]<br>&#8216;Mr Wolf&#8217; [1]<br>James Zborowski [1]<\/p>\r\n<h3>TV-related pieces by our contributors for other websites<\/h3>\r\n<p><a href=\"http:\/\/www.nottingham.ac.uk\/scope\/documents\/2014\/february\/fradley.pdf\" target=\"_self\" rel=\"noopener noreferrer\"> &#8216; &#8220;Disappointingly thin and flaccid&#8221;: Gender, Authorship and Authenticity in Shane Meadows&#8217; <em>Once Upon a Time in the Midlands<\/em> (2002) (Emma Sutton, co-authored with Martin Fradley) <\/a>, <em>Scope: An Online Journal of Film Studies<\/em>, issue 26, February 2014.<br><a href=\"http:\/\/www.scope.nottingham.ac.uk\/confreport.php?issue=18&amp;id=1238\" target=\"_self\" rel=\"noopener noreferrer\">Conference review: Straight Outta Uttoxeter: Studying Shane Meadows, University of East Anglia conference (Emma Sutton)<\/a><br><em>List does not include pieces subsequently revised for this website. See also our content lists for the many pieces that several of our contributors have written for the Screenonline website<\/em><\/p>\r\n<h4>Books by our contributors<\/h4>\r\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Invective-cover-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" class=\"alignleft size-medium wp-image-7523\" srcset=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Invective-cover-199x300.jpg 199w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Invective-cover-72x108.jpg 72w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Invective-cover.jpg 575w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/>Ian Greaves, David Rolinson and John Williams edited a collection of Dennis Potter&#8217;s non-fiction writing. <a href=\"https:\/\/www.oberonbooks.com\/dennis-potter.html\" target=\"_self\" rel=\"noopener noreferrer\">Dennis Potter, <em>The Art of Invective: Selected Non-Fiction 1953-1994<\/em><\/a> published by <a href=\"https:\/\/www.oberonbooks.com\/Oberon Books\" target=\"_self\" rel=\"noopener noreferrer\">Oberon Books<\/a> in 2015. &#8220;Every page of this book is constellated with sentences and phrases of, variously, humour, cleverness, warmth, indignation and savagery. It is one of the very finest collections of \u2018occasional\u2019 (but far from ephemeral) writing I have read: what counts is not the medium, not the genre, but the mind. The scholarship of the editors is impeccable.&#8221; Jonathan Meades, <em>Literary Review<\/em>.<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Miller-One-Thing-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" class=\"alignright size-medium wp-image-7531\" srcset=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Miller-One-Thing-205x300.jpg 205w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Miller-One-Thing-74x108.jpg 74w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Miller-One-Thing.jpg 554w\" sizes=\"auto, (max-width: 205px) 100vw, 205px\" \/>Ian Greaves edited <em>One Thing and Another: Selected Writings 1954-2016<\/em>, a collection of work by Jonathan Miller, published by <a href=\"https:\/\/www.oberonbooks.com\/one-thing-and-another.html\" target=\"_self\" rel=\"noopener noreferrer\">Oberon Books<\/a> in 2017. In collaboration with Justin Lewis, Ian Greaves published <em>Prime Minister, You Wanted To See Me? A History of Week Ending<\/em> with Kaleidoscope. <a href=\"http:\/\/www.kaleidoscopepublishing.co.uk\/books-we.html\" target=\"_self\" rel=\"noopener noreferrer\">More information here from the Kaleidoscope site<\/a>. Ian has also contributed research to numerous books by other authors, and co-curated an NF Simpson tribute at the Royal Court in May 2012. Ian also contributed a chapter to the book <em>No Known Cure: The Comedy of Chris Morris<\/em> (BFI\/Palgrave, 2013).<\/p>\r\n<p><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Stevens-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" class=\"alignleft size-medium wp-image-7529\" srcset=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Stevens-210x300.jpg 210w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Stevens-76x108.jpg 76w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Stevens.jpg 350w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/>Neil Sinyard is the author of 25 books on film, including studies of directors such as William Wyler, Fred Zinnemann, Billy Wilder, Alfred Hitchcock and Steven Spielberg. His latest book, on the film director George Stevens, was published in 2019. Some of Neil Sinyard&#8217;s writing on film and other topics can be found on <a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/\" target=\"_self\" rel=\"noopener noreferrer\">this website, a sister site of ours<\/a>.<\/p>\r\n<p><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-3524\" src=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2013\/02\/cull-valley-cover-e1361534037656.jpg\" alt=\"cull-valley-cover\" width=\"175\" height=\"247\"><br>In 2016, Stairwell Books published John Wheatcroft&#8217;s novel <em>Here in the Cull Valley<\/em>, a genre-defying \u201cwhy-dunnit\u201d novel which proves that a unique literary format can sit side-by-side with a gripping story. The novel unfolds largely through newspaper stories but it plays by the rules of character and narrative. It\u2019s a story told, according to one newspaper reviewer, \u201cwith powerful humour, invention, perception and poignancy\u201d. <span style=\"font-style: inherit; font-weight: inherit;\">Andrew Martin, author of the Jim Stringer murder mysteries, described <em>Here in the Cull Valley<\/em> as \u201ca completely plausible psychological mystery. It is doom-laden, but laced with humour as elegantly dry as a good Chablis\u201d. (It was previously available as an ebook.) <em>Here in the Cull Valley<\/em> is available from Stairwell Books <a href=\"http:\/\/www.stairwellbooks.co.uk\/product\/here-in-the-cull-valley\/\" target=\"_self\" rel=\"noopener noreferrer\">here<\/a>. <p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-7520\" src=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic-194x300.jpg 194w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic-768x1188.jpg 768w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic-662x1024.jpg 662w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic-863x1335.jpg 863w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic-70x108.jpg 70w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/Rocket-pic.jpg 1694w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/>In 2019, Stairwell Books published&nbsp;<em>Rocket Boy<\/em>, John Wheatcroft\u2019s second novel. It\u2019s a tragi-comic love story, with an ultimately upbeat ending, about a man rueing missed romantic opportunities. <em>Rocket Boy<\/em> is available <a href=\"http:\/\/www.stairwellbooks.co.uk\/product\/rocket-boy\/\" target=\"_self\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\r\n<p><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Pandorica-e1571737624344-209x300.jpg\" alt=\"\" width=\"209\" height=\"300\" class=\"alignright size-medium wp-image-7527\" srcset=\"http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Pandorica-e1571737624344-209x300.jpg 209w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Pandorica-e1571737624344-75x108.jpg 75w, http:\/\/www.britishtelevisiondrama.org.uk\/wp-content\/uploads\/2019\/10\/BTVD_Pandorica-e1571737624344.jpg 335w\" sizes=\"auto, (max-width: 209px) 100vw, 209px\" \/><br>In 2010, Frank Collins published <em>The Pandorica Opens<\/em> (Classic TV Press), an accessible yet scholarly analysis of the 2010 season of <em>Doctor Who<\/em> which has received excellent reviews. It is also now available for the Kindle.<br><a href=\"http:\/\/www.classictvpress.co.uk\/pandoricaopens.htm\" target=\"_self\" rel=\"noopener noreferrer\">More information here from the Classic TV Press site<\/a>. Frank Collins has also written a book-length study of the <em>Doctor Who<\/em> story &#8216;Warriors&#8217; Gate&#8217;, which was published by Obverse in 2019 and is available <a href=\"https:\/\/obversebooks.co.uk\/product\/31-wg\/\" target=\"_self\" rel=\"noopener noreferrer\">here<\/a>.\r\n\r\n<\/p>\r\n<p><!-- Start of StatCounter Code --><br><script type=\"text\/javascript\">\/\/ <![CDATA[\r\nvar sc_project=5750652;\r\nvar sc_invisible=1;\r\nvar sc_partition=68;\r\nvar sc_click_stat=1;\r\nvar sc_security=\"6dd1aa39\";\r\n\/\/ ]]><\/script><\/p>\r\n<p><script src=\"http:\/\/www.statcounter.com\/counter\/counter.js\" type=\"text\/javascript\"><\/script><noscript><br>\r\n<\/noscript><\/p>\r\n<div class=\"statcounter\"><a title=\"wordpress stats \" href=\"http:\/\/www.statcounter.com\/wordpress.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"statcounter\" src=\"http:\/\/c.statcounter.com\/5750652\/0\/6dd1aa39\/1\/\" alt=\"wordpress stats \"><\/a><\/div>\r\n<p><!-- End of StatCounter Code --><\/p>\r\n\r\n\r\n<p><\/p>\r\n","protected":false},"excerpt":{"rendered":null,"protected":false},"author":1,"featured_media":0,"parent":1569,"menu_order":4,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1948","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1948"}],"version-history":[{"count":87,"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1948\/revisions"}],"predecessor-version":[{"id":8150,"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1948\/revisions\/8150"}],"up":[{"embeddable":true,"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/1569"}],"wp:attachment":[{"href":"http:\/\/www.britishtelevisiondrama.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}