Michael Palin, Halfway to Hollywood: Diaries 1980-1988 (2009)

DAVID ROLINSON

For anyone interested in British television drama or cinema, this second volume of Michael Palin’s diaries is just as engrossing as the first. Although some reviewers wonder if this book will be about ‘the less exciting stuff that happened in between’ the peak period of Monty Python covered in the first volume and the travel programmes that Palin embarks upon as this volume closes, it is all the more enjoyable and rewarding for its grounding in the reality of solo writing and the production process.1

For visitors to this site, I recommend Palin’s detailed coverage of East of Ipswich (1987)2, from gestation and writing through castinPalinHalfwayCoverpicg, production, post-production, critical reception and awards nominations (plus Palin’s unusually scathing comment that the London Film Festival were ‘Snobs’ to pass on it).3 I’ve adored East of Ipswich for many years, so I’m delighted to see Palin assert that ‘Nothing I’ve done gives me as much unqualified pleasure’ and that ‘I’ve never felt something done as close to the way I wanted it done as this’.4 Other material relevant to British television drama includes Palin’s script for Number 27 (1988)5 which starred the legendary Joyce Carey, working relationships with Tristram Powell, Charles Sturridge, Innes Lloyd and others, and television’s importance in British filmmaking: with fifteen films made a year and directors like Gavin Millar and Alan Clarke involved, ‘this shabbily-appointed fifth floor at TV Centre is where the British Film Industry exists’.6 Palin details the postponement of Sturridge’s Troubles (1988) after a week of filming with Palin in a major role, after which it was remounted without him.7