Level Seven (1966)

by OLIVER WAKE

Out of the Unknown Writer: J.B. Priestley; Adapted from (novel): Mordecai Roshwald; Producer: Irene Shubik; Director: Rudolph Cartier

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Set within a survival bunker and missile control base deep underground, Polish writer Mordecai Roshwald’s 1959 novel Level Seven was a grim depiction of the spiralling cold war leading to nuclear apocalypse. The story made no reference to specific nations engaged in the conflict but was cheekily dedicated “To Dwight and Nikita” in reference to Eisenhower and Khrushchev, then the premiers of the USA and USSR respectively.1 On publication, the novel was highly lauded by the likes of Bertrand Russell and Fred Hoyle, and J.B. Priestley called it “the most powerful attack on the whole nuclear madness that any creative writer has made so far” and began work on a film adaptation.2

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Making enquiries in 1962, Irene Shubik, the story editor on ABC Television’s science fiction anthology Out of this World, found that the film option on the novel precluded any television version. The film version was announced in 1963, to be made by Eliot Martin and Philip Langner in association with the Theatre Guild of New York.3 It’s not clear if this was to use Priestley’s script or an alternative, but either way the project came to nothing. A few years later, Shubik was producing Out of this World’s BBC successor Out of the Unknown, when she was reminded of the novel. The film option had expired and Shubik wrote to Roshwald to express her interest in staging a television adaptation. Having re-read the novel, she told the author that she was “moved practically to tears by it. I do think it is an absolutely marvellous piece of work”.4


  1. Mordecai Roshwald, Level Seven (London and Redhill: Ace Books, 1962), p. 2. 

  2. Quoted on rear cover of Roshwald, Level Seven

  3. John Montgomery, ‘Studio News’, The Stage and Television Today, 9 May 1963, p. 14. 

  4. Quoted in Mark Ward, Out of the Unknown: A Guide to the Legendary BBC series (Birmingham: Kaleidoscope Publishing, 2004), p. 197. 

The Good Companions (1980-81)

by DAVID ROLINSON

Nine parts. Writer: Alan Plater; Adapted from (novel): J.B. Priestley; Music by: David Fanshawe; Producer: Leonard Lewis; Directors: Bill Hays, Leonard Lewis


A “tuneful tonic of merriment and mirth”, The Good Companions is a nine-part Yorkshire Television serial about a touring concert party adapted from J. B. Priestley’s famous 1929 novel.1 It was adapted by Alan Plater, who described the serial as one of his happiest working experiences, but added that it was “interesting but flawed, and didn’t really catch on”.2 That’s a fair assessment, but the serial is certainly more interesting than flawed. Like the two previous film adaptations, the serial risked being written off as undemanding, suffering in part because of the reputation of the source novel. Writing about the 1933 film version, Charles Barr observed that the novel “never had much currency in academic circles”, with supportive opinions outweighed by the impact of “the vinegary attacks on the book and the novelists by the two Leavises”.3 Priestley himself argued that “[s]ome severe critics dislike” stories in the picaresque tradition of “huge wandering tales” as these are “too rambling and easy for them”.4 However, the serial’s ability to parallel the book’s feel-good, episodic qualities is also one of its main strengths. With composer David Fanshawe setting Plater’s lyrics to a variety of song styles, and a lively ensemble cast relishing on-stage music hall scenes and off-stage full production numbers, this is a witty and unashamedly fun serial. The Network DVD release also comes with the 1980 tie-in documentary On the Road, in which Plater interviews Priestley, compares the serial with previous film versions and provides behind-the-scenes footage.5


  1. The Good Companions, tx. ITV, 14 November 1980-16 January 1981. Now available on DVD from Network DVD

  2. Alan Plater, Doggin’ Around (Northway, 2006), p. 99. 

  3. Charles Barr, ‘The Good Companions’, in Brian McFarlane (editor), The Cinema of Britain and Ireland (London: Wallflower Press, 2005), p. 31. 

  4. J.B. Priestley, in Priestley and O.B. Davis, Four English Novels (Harcourt Brace, 1960), p. 262. 

  5. According to production files relating to On the Road, which are available in the Alan Plater archive in the Hull History Centre, the documentary’s location visits happened in the last week of July 1979.