Five parts. Writer: Troy Kennedy Martin; Adapted from (novel): Angus Wilson; Producer: Jonathan Powell; Director: Stuart Burge
In all the myriad apocalypse dramas produced in the UK, what matters most is where the bomb drops. The drip-drip of radio bulletins in the suburban daily lives of Threads cut straight to the contemporary fear of nuclear war, and the 1984 film’s unfussy depiction of local authority admin echoes the staccato, functional, inevitable nature of Peter Watkins’ The War Game. As a narrative device the anticipation of Armageddon can create real tension, the strike clearing away characters in a single bound and providing a fundamental gear change in a long storyline. After which it’s either about the journey back or, more likely, an acceptance of the new order.
The Old Men at the Zoo, a 1983 serial for BBC2 based on the novel by Angus Wilson, leaves the flashpoint unfashionably late. Although the threat of war is ever present the focus is very much on preparation, propaganda and domestic politics. Curiously, and rather more indicative of the age in which it was adapted, the nuclear bomb that arrives four fifths of the way through was not even present in the novel. Read more... (1482 words, 1 image)
Writer and Director: Peter Watkins
The probability of total destruction increases with time and, in the course of the months and years throughout which we are told to expect the Cold War to continue, it becomes almost a certainty’.
The War Game is one of television’s most notorious banned programmes. A harrowing dramatised documentary portraying the after-effects of nuclear holocaust and calling for public education in nuclear deterrent policy, it was made by the BBC for 1965 broadcast but was not transmitted for twenty years. Among the reasons given for the ban were its brutally graphic scenes, its apparent left-wing bias and its controversial fusion of journalistic fact and hugely alarmist fiction, although there is now evidence that it fell victim to the political suppression of nuclear discussion that was happening at the time across all media. Its director, Peter Watkins, quit the BBC and fought to get it a cinema release abroad, resulting in critical acclaim and a Best Documentary Oscar. After its eventual transmission in 1985, critics agreed that the BBC had suppressed one of the greatest dramas ever made. Read more... (3403 words, 8 images)