James O’Connor – often known as Jimmy O’Connor – wrote a number of popular and successful television plays in the 1960s and early ‘70s, regularly collaborating with director Ken Loach. He had an unusual background for a television dramatist. He was formerly a career criminal who had turned to writing while serving a life sentence for murder, having narrowly avoided being hanged.
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An overview of Charles Wood’s television career
Charles Wood is a dramatist whose work spans the mediums of stage, television and film. The subjects and styles of his television work vary enormously, with comedy rubbing shoulders with harrowing drama, but stories about war, soldiers and militarism in general, all of which hold a particular fascination for him, recur. Although Wood is far from being simply a ‘war’ writer, it is perhaps his stories of soldiers and armed conflict in which his individual voice is most clear.
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Peter Luke was a writer, story editor and producer on several of British television’s most influential drama anthology series, working at both ITV and the BBC, during a period of particular creative development for the medium. His television work was, however, only one part of a varied life.
Peter Ambrose Cyprian Luke was born on 12 August 1919, the son of British diplomatic Sir Harry Luke. The Luke family was originally of Hungarian descent (the name Lukach being Anglicised to Luke) and Luke’s upbringing was cosmopolitan. In his younger years he accompanied his parents on his father’s postings around the world, during which he learned about language, culture, art and literature, before returning to England to be enrolled at Eton. On completing his schooling with the minimum of academic rigour, Luke decided he wanted to become a painter and went to art school in London and then studied at the atelier of André Lhote in Paris. He enlisted in the British army shortly after the Second World War began, leading him to Egypt and combat on the first day of the second battle of El Alamein, in which he was wounded. After recovering he was deployed in the European theatre of war, serving in Italy, France and Germany. He was awarded the Military Cross for his actions in Normandy following D-Day. He ended the war a Major, acting Lieutenant-Colonel.
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Cedric Messina must be one of British television’s most prolific producers and directors of dramatic programmes, with at least 250 drama and opera productions to his name. He worked extensively in television for 25 years, always for the BBC as he was committed to the principle of public service broadcasting.
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The Wednesday Play; Writer: Eric Coltart; Producer: James MacTaggart; Director: Ken Loach
The Wednesday Play (1964-70) is often cited in discussions of 1960s television drama, but normally with reference to only a handful of its most well-known plays. This misrepresents the series as a whole, which comprised over 160 plays. Even some of the dramas from the series’ most acclaimed practitioners, such as Ken Loach and Dennis Potter, are overlooked in favour of their bolder, more controversial plays, with preference given to those that still exist. The neglect of plays erased from the archive is understandable, but a lack of primary evidence is no reason to disregard them entirely. Their particular attributes and secondary evidence demonstrate that many of them are well worth our attention. For example, 1965’s Wear a Very Big Hat is fascinating both as an example of The Wednesday Play’s early attempts at youthful contemporaneity and as director Ken Loach’s first entry in the series.
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